After a long gestation period, the film made the jump into the digital domain on 5th September 2018. He became stage manager at Penrith’s Q Theatre before starting up his own theatre restaurant, Brown’s, where he did everything from performing to washing dishes at four in the morning. The film virtually disappeared from view for many years, after a very limited commercial release in Australia and a relatively confined tour of the international film festival circuit (with an emphasis on sci fi and fantasy festivals). Read about South by Spirits of the Air - Gremlins of the Clouds and see the artwork, lyrics and similar artists. Writer/director Alex Proyas has ended up with the rights to the film, and occasionally talks of releasing it digitally, but nothing (at time of this writing) had happened. One of the more informative interviews was a Black Label podcast for Matthew Eeles’ Cinema Australia - it could, at time of writing, be heard in full here. Amazon.ca - Buy Spirits Of The Air Gremlins Of The Clouds at a low price; free shipping on qualified orders. Six years before director Alex Proyas would hit the mainstream with The Crow, and four years after that with Dark City, he cut his feature-length teeth on the DIY Australian production Spirits of the Air, Gremlins of the Clouds, a film that scarcely made it out of its home country, having never been officially released in the U.S. either theatrically or on home video. A few interiors were dressed on location to provide a match between the exteriors and the studio work. He had many other offers to direct but was careful in his choice of material. Perhaps these technical devices were an interest Proyas cultivated as an AFTS student (though in a Facebook posting on his Facebook page he describes his education at the now AFTRS as "frontal lobotomy") or during his music video and TV commercial years. Spirits of the Air, Gremlins of the Clouds - Trailer Leider haben wir zu Spirits of the Air, Gremlins of the Clouds bisher noch keine Videos. …It was a good time to set up in the music clip business. Umbrella digital restoraton: c. 96 minutes (Umbrella timing). Director of Photography : David Knaus - ACS. Lake, whose endearing presence and soft English accent are reminiscent of Tom Conti, moved to Australia in the 1970s with a former girlfriend. The scenery is just stunning and the songs that were chosen accentuated the drama and were so good. The film picked up two nominations in the design area at the 1988 AFI Awards: Nominated, Best Achievement in Production Design (Sean Peter Miller) (Sally Campbell won for The Navigator), Nominated, Best Achievement in Costume Design (Angela Tonks, Mathu Anderson) (Glenys Jackson won for The Navigator). This site doesn't usually link to unofficial versions but it's worth noting that in the absence of a Proyas-approved release, this release is closing on on 30k views as of September 2016 (and composer Peter Miller used the comments section to provide a link to his site about the film here). The results in this area continue to make the film very watchable. For example, the Marlboro billboard was a forced perspective miniature, as were the cars used in the iconic shot of cars buried bonnet down in the earth. See reviews & details on a wide selection of Blu-ray & DVDs, both new & used. Brother and sister endure alone together in a post-apocalyptic Outback until the sudden arrival of a stranger. The film was a three hander and the cast didn't move on to larger acting careers. View credits, reviews, tracks and shop for the 2018 CD release of Spirits Of The Air, Gremlins Of The Clouds: The Original Soundtrack By Peter Miller From The Meaningful Eye Contact Film on Discogs. (A tribute to the, Perhaps these technical devices were an interest Proyas cultivated as an AFTS student (though in a Facebook posting on his Facebook page he describes his education at the now AFTRS as ", The introduction to Michael Helms’ interview in relation to the, You would have to be a much cleverer director than I certainly was at the time to be able to achieve it. You would have to be a much cleverer director than I certainly was at the time to be able to achieve it. Directed by Alex Proyas. Directed by: Alex Proyas. The story goes that he and his co-star, Norman Boyd, decided to go for a drive during a break in filming only to get bogged on the Mundi Mundi plains, outside of Broken Hill. The original PCM encoded music soundtrack mix still existed, recorded onto 3/4" Umatic tape (the only way to record digital sound at the time). I’ve always loved stories. Instead it was exposed to audiences at full length, and never flew. I’m always saying that even to advertising agencies. “I don’t consider myself as a guy who makes commercials or music videos. Perhaps it leans a little too much towards making money, but the process of making a film to satisfy an audience and make it a profitable process is absolutely fine. We had just made a video with INXS and these guys wanted to get involved with movie making and they had no idea either. Boyd opted to stay with the car; Lake tried to make it across the desert to base camp but became disoriented and walked for what seemed like an eternity. A Leidecker Rig was used to control the miniature flying machines for the flight sequences. It also has a post-apocalyptic location, the area around Broken Hill which has been home to films with a similar desolate atmosphere, such as Miller's, In his subsequent feature film career, writer/director Alex Proyas has gravitated towards science fiction material (, Art director, composer and sound designer for the film, Peter Miller, at a, One of the more informative interviews was a Black Label podcast for Matthew Eeles’, Proyas also goes into his time in bands (he wrote the song and music for Jane Campion’s, Proyas made much the same sort of comment about the shoot in an interview with Miguel Díaz and Iván Suárez for, Peter Miller, who did the soundtrack, has a website. Folge Spirits of the Air, Gremlins of the Clouds jetzt auf Moviepilot und verpasse keine News mehr: folgen. “These guys knew nothing about film-making,” Proyas laughs. Proyas: I think “2001” was an early encouragement to be in the cinematic genre, but I didn’t think of “2001” as science fiction because I didn’t know what science fiction was because I was so young. External Reviews The soundtrack for the film was nominated for an ARIA in the 1990 Best Original Soundtrack/Cast/Show Album category (the original cast recording for Anything Goes was the winner that year). Their morbid serenity is altered when a samurai-like stranger (Boyd) moves in and eventually helps Felix to build a flying machine. Ozmovies previous remarks on the film’s availability have been retained below for the record, at a time when it was believed that the original 16mm negative has disappeared. The soundtrack for the film was nominated for an ARIA in the 1990 Best Original Soundtrack/Cast/Show Album category ... Where and when: ’Spirits of the Air, Gremlins of the Clouds’ is on Friday and Saturday nights as the regular late show at the Longford Cinema, 59 Toorak Road, at 11 pm. Just loved the settings in the Outback. In the meantime, Proyas’ best personal film, The film has a post-apocalyptic setting which is never explained in any detail within the film. Miller, who acted as co-art director, has a number of stills from the SFX shoot, but also has various bits of designs and artwork used by the art department in designing the key sets for location and studio shoot. My film school work was experimental avant-garde films, but there was always this early influence of fantasy and science fiction, and I kept going back to it. I said, ‘Do you realise putting money into a short film is pretty much insanity?’ and they said, ‘Well, could you make it into a feature?’”, It took a weekend. Home Explore Movies Explore Composers Resource Directory Forums Contact Us About Us. Director, Writer. If you love art, and particularly Australian desert landscapes, and in particular the almost uncanny use of colour, texture and design from that landscape, then Spirits of the Air may best be described as 90 minutes of a really excellently vivid (and original) slow moving art show (with a very tiny apocalypse theme), yet with a 1989 play trying to narrate. Spirits of the Air, Gremlins of the Clouds (1988) M 09/02/1988 (AU) Adventure, Science Fiction 1h 33m User Score. The discs come with a host of extras and with subtitles in both formats). The transfer was described as being a 2K scan from the original 16mm negatives. It is aesthetically gratifying and pleasing as well. Original Title: Spirits of the Air, Gremlins of the Clouds Voted: 512 Brother and sister endure alone together in a post-apocalyptic Outback until the sudden arrival of a stranger. FAQ “I still remember him with his arms up in the air, with that smile, singing, ‘When the moon hits your eye …’”. There is hope though. The film funding bodies didn't get it. At the last minute, Betty announces she’s not going … and an exasperated Felix smashes up her musical instrument with his wheelchair. The SFX shoot involved a clever mix of models and forced perspective, rare for Australian films of the period - these are used to give the opening credits title sequence a big screen impact. He and his neurotic sister, Betty (Rhys Davis), live in an outback house left by their late, religious fanatic father. Australian distributor: self-distributed, Meaningful Eye, AFI. To me, that’s really the most important thing. It also has a post-apocalyptic location, the area around Broken Hill which has been home to films with a similar desolate atmosphere, such as Miller's Mad Max 2. The film isn’t listed in the Film Victoria report on domestic box office and this is hardly surprising. Movie: Spirits of the Air, Gremlins of the Clouds (1989) info with movie soundtracks, credited songs, film score albums, reviews, news, and more. “Just by adding a few scenes, I turned what would have made a nice 30-minute film into a 90-minute film. At 35, Lake has done plenty for one who grew up in a broken family, dodging trouble and sneaking to theatre shows at London’s West End. He chugs with laughter at his own naivety. But some scenes were shot - such as looking through the window of Felix’s shed - in such a way that an exterior view would show the interiors as they were eventually staged in the studio. Although fabulously imaginative with its low-tech effects, it is, all in all, a bit patchy. Some would recognise him as the Marxist hotelier in ‘Young Einstein’; others know him as George Smilovici’s other half in ‘The Lobotomy Brothers’ comedy show. The disc was priced at A$34.99. While the crew have been cleared of any criminal negligence, all remain reluctant to talk about the matter until the litigation is settled. Filmed: The March 1987 issue of Cinema Papers lists a start to principal photography of 14th April 1986. | I see nothing wrong with that process. It turns out he’s obsessed with building a flying machine that will help him fly like a bird and escape the desert. He was the last of 40 men who auditioned for the part. “It was such a large part of my school days but I never really had an image of him, I guess eventually I had to have something come out of it,” he says. Given the weight and prestige of the producer, there should be little doubt that Caspar will be seen by a very wide audience. Smith intends to head north, over the distant mountains, but Felix assures him there’s no way across … you can’t climb those buggers. The mention of flying presses Felix’s button. So where and how did this man with the strong blue eyes and slightly exaggerated nose crawl out of the woodwork. So Lake decided to re-enact the opening scenes of ‘Paris Texas’, and stumbled around a la Harry Dean Stanton for five or more minutes until it dawned on him the camera was unmanned. Nevertheless, thanks to the great pictures and acoustics as well as the wonderful acting, this unconventional film is definitely worth seeing for the fans of Richard Lester, Konstantin Lopushanskiy and Piotr Szulkin. In his subsequent feature film career, writer/director Alex Proyas has gravitated towards science fiction material (Dark City, Knowing, I, Robot) and in a number of interviews, he has suggested reasons why both the desert and science fiction appealed to him, as in this interview with George Khoury here (google cache): George Khoury: Where did your passion for film originate? Spirits of the Air, Gremlins of the Clouds ( 12 ) IMDb 6.5 1h 36min 1989 16+ Felix is obsessed with flying and Betty is childlike and unable to contemplate any existence away from their home. | | He directed a very low-budget feature, Sprits of the Air, Gremlins of the Clouds, in Australia. Audacity. The Crow is not really Proyas’s feature debut. 'Spriits of the air gremlins of the clouds' is better known as simply "Spirits". Inspired by Sergio Leone westerns – trying to tell the story more through visual “acting” and montage than dialogue. It might have made a very effective short feature and given Proyas the feature film calling card he desired, but that length would never have attracted investors. Shot on location in Broken Hill, Australia’s apocalyptic capital and home to the Mad Max series, Wake in Fright, and Razorback, Spirits of the Air, Gremlins of the Clouds is a beautiful film to watch. Felix, he ways, evolved from childhood memories of a mysterious man who used to walk by his old school near Brixton, incessantly yelling out the name, “Henry”. Lake’s quirky portrayal of a cripple with a passion for flying is as funny as it is sad. The movie was re-released internationally in September 2018 on Blu-ray and DVD by Umbrella Entertainment. A book about flight was the only book he got, apart from his old man’s religious books ... Felix persuades Smith to stay, and they begin building models for a new aircraft design, but while Betty keeps railing at the intruder and consigning him to hell, the models keep failing. The cast struggles with the material, and aren't helped by the sound recording. Khoury: Does your love for science fiction originate more from books or films? Proyas started the interview by recalling his coming to a housing commission flat in the inner suburb of Waterloo in Sydney (though born to a Greek family, he came from Egypt, at the age of 3) and then as an only child being let loose with a super 8 camera at the early age of 10. He’s crippled - an accident, occupational hazard of making flying machines. which shows how these were done. Dabblers. As Proyas puts the finishing touches to The Crow, he has already committed to his next project, Caspar, which is to be produced by Steven Spielberg’s company, Amblin. User Ratings That’s pretty much the way we worked on “Dark City.” I wrote many drafts initially and then worked with Lem Dobbs and David Goyer to focus on what it was we were trying to do and to use them as a sounding board. ... buy this soundtrack from cdandlp.com Search eBay for Spirits Of The Air, Gremlins Of The Clouds : Spirits Of The Air, Gremlins Of The Clouds … The NFSA here suggests it has only tape sources in its holdings. His role in ’Spirits of the Air’ is probably his most accomplished yet, but he has no illusions about his status as an actor. The interview was done to help promote a short season of the film at the Longford cinema in Melbourne: Michael Lake and Mel Gibson have a lot in common; they both have piercing blue eyes, charisma and both are variously regarded as exceptional actors. Proyas then compares later easier digital technology - the ability to shoot a movie on a phone and cut it on a lap top - as compared to the old days of expensive gear and film stock and hire of editing rooms (though he does acknowledge that in the modern era, the business of releasing a movie has become increasingly hard). “I consider myself a film-maker,” says Proyas. Budget: $500,000 (Cinema Papers, March 1987) (director Alex Proyas says the AFC contribution to budget was small and that most of the finance came from the INXS management company MMA). As a result, the film disappeared. Lake, the tragic hero of the new Australian film, recalls the tale of his outback disappearance with the pathos of a man who won’t allow himself to be taken too seriously. The problems seem to have been resolved with the restoration now released by Umbrella in high and standard def formats. A micro budget. Nevertheless, I look back and think, “Wow, that is an interesting film”, but certainly not a completely successful one. For years now, Spirits of the Air, Gremlins of the Clouds has been all but a lost film. ...the only source material (for the vision) existed as two completely different video formats: a domestic PAL Betamax recording, and a 3/4" Umatic videotape screener. By the time he started on The Crow, Proyas had established a reputation directing big-budget, prestigious commercials for Nike, American Express and Coca-Cola, among others, many of them in the US. It even has hints of Ward's The Navigator about it, or in a curious way, another de Heer film, about a boy's attempt to fly in Tail of a Tiger. Proyas had this to say about his screenwriting in the same interview with Khoury: I’d written many scripts before — quite bad ones. The editing insists on a very slow-moving pace, and the expectation that something bigger is just around the corner is constant, but it never arrives. If Proyas has all the negatives in his possession, this raises the question of why James Paterson used tape sources for his digital restoration here, a process which involved removing time code from one tape source. Many who worked on that film call it the most fun they ever had being young and poor. It would be really hard for me to recommend this movie, as the story is thin, the three characters unlovable, and if you are not into 1980s New Age electronic music, then you definitively WILL throw something at the screen before an hour is up. Spirits of the Air, Gremlins of the Clouds, ultimately, is an art piece rather than a narrative one – more thematic than story-driven. In an interview with Dov Kornits here, Proyas had this to say about the financing of the film: DK: Can you tell us about your first film Spirits of the Air, Gremlins of the Clouds? Thanks to the film's restoration, the film also screened at the 2018 Melbourne International Film Festival. The debut feature from Alex Proyas (The Crow, Dark City, I Robot), Umbrella Entertainment presents a 2K scan from the original 16mm negatives. Low This article has been rated as Low-importance on the project's importance scale. The story is simple, but compelling to watch. In commercials you tell stories. Play Trailer; Overview. It’s a very specific skill to do that well. 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